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SDG
162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.
SDG
1:00 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 4 100%
T B Bass 22 0 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 4 100%
T B Bass 22 0 6 5 100%
 
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
Nabij Gods hoog verheven troon, Opwekking 546. SATB Arrangement: Gertim
SDG
3:56 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 3 5 100%
Tenor/Bass Bass 22 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 3 5 100%
Tenor/Bass Bass 22 0 7 5 100%
 
"Wo soll ich fliehen hin?" (BWV 5, #1)
SDG
3:53 Est. Play
Time
78 Measures
2,824Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
Continuo Bass 25 0 9 3 100%
Contrabass Bass 25 0 9 3 100%
Oboe
I.		 Treble 24 0 8 5 100%
Oboe
II.		 Treble 22 0 8 4 100%
Violino
I		 Treble 25 0 8 5 100%
Violino
II.		 Treble 21 0 7 5 100%
Viola 18 0 5 4 97%
Alto 13 0 4 6 42%
Tenore 13 0 4 5 40%
Basso Bass 20 0 6 4 37%
Soprano 6 0 0 2 37%
Tromba
da
tirarsi col
soprano		 6 0 0 2 37%
 
Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.
SDG
6:35 Est. Play
Time
129 Measures
3,658Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
Bass 21 0 7 5 96%
Violoncello Bass 21 0 7 5 96%
Viola 23 0 8 5 89%
Violino
II		 Treble 23 0 8 5 89%
Violino
I		 Treble 26 0 10 6 88%
Alto 17 0 7 6 77%
Soprano 20 0 8 6 77%
Tenore 18 0 6 6 77%
Flauto traverso
I,II		 Treble 23 0 8 6 73%
Basso Bass 18 0 7 5 67%
Oboe
I/II		 Treble 23 0 8 6 60%
 
'k Ben reizend naar die stad. I'm travelling to that town. Arrangement: Gertim (SDG).
SDG
2:51 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
 
286. O Mensch, bewein' dein Sünde gross. BWV 402. Johann Sebastian Bach.
SDG
1:22 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 24 0 8 4 100%
Contrabass Bass 19 0 7 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 24 0 8 4 100%
Contrabass Bass 19 0 7 3 50%
 
10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.
SDG
0:37 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
Bass 21 0 5 5 100%
Bass 21 0 5 5 100%
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 21 0 5 5 100%
Contrabass Bass 15 0 2 3 50%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).
SDG
0:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
 
Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248
SDG
13:19 Est. Play
Time
203 Measures
4,967Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
Fagotto Bass 24 0 8 5 93%
Viola. 23 0 8 8 93%
Violino
II.		 Treble 24 0 8 8 93%
Violino
I.		 Treble 28 0 9 8 91%
Oboe
II.		 Treble 19 0 6 8 79%
Flauto
traverso
II.		 Treble 22 0 7 8 79%
Flauto
traverso
I.		 Treble 23 0 7 8 78%
Oboe
I.		 Treble 21 0 7 8 78%
Tenore. 18 0 6 7 71%
Alto. 17 0 6 7 70%
Basso. Bass 18 0 6 7 70%
Soprano Treble 19 0 6 8 67%
Treble 19 0 6 8 67%
Soprano. 19 0 6 8 67%
Tromba
I.		 Treble 12 0 1 8 34%
Tromba
II.		 Treble 11 0 1 5 29%
Tromba
III.		 Treble 7 0 0 5 28%
Timpani. Bass 2 0 0 5 27%